Tempu Nakamura (continued...)
page 1, 2, 3
In Cairo, while staying in a local hotel, an Indian yogi
befriended him. Upon the urging of his new mentor, Nakamura
Sensei decided to make a quick detour--a detour that resulted
in him traveling to the Himalayas around 1916 at the age
of 40. It would be three years – and a new life later
– before he returned to Japan. He studied various
yogic methods in an environment in which Nakamura Sensei
ceased to look for answers in books, theories, or the belief
systems of others. Using psychological techniques that Nakamura
Sensei recalled as being severe, his teachers encouraged
him to search for firsthand understanding that was not dependent
on any authority or system. In 1919, Nakamura Sensei returned
to Japan ... he never coughed up blood again.
He entered the business world of Tokyo with his characteristic
zeal. He taught a synthesis of the various arts, skills,
and meditations he had learned, but only on a private basis.
Gradually, however, he began to teach more and more publicly.
Eventually, the Tempu-Kai, or "Tempu Society,"
grew up around him. For many years he stressed the unification
of mind and body, which he termed Shin ("mind")-shin
("body")-toitsu ("unification")-do ("the
way"). At times the titles Shin-shin-toitsu ("mind
and body unification"), Shin-shin-toitsu-ho ("the
art/method of mind and body unification"), and Toitsu-do
("the way of unification") were, and sometimes
still are, used by the practitioners of this form of Japanese
yoga. Tempu-Kai is a nonprofit educational corporation.
It is not a church or temple. Nakamura Sensei was adamant
that Shin-shin-toitsu-do be an examination of the very essence
of spirituality as opposed to an organized religion of any
kind.
Naturally, influences from Indian forms of Hatha, Raja,
and Pranayama yoga can be detected, albeit in a usually
modified structure. Both Anjo Daza Ho and Muga Ichi-nen
Ho meditations, which involve the use of sound and sight
respectively, have been influenced by yogic meditation.
And while Nakamura Sensei developed his own forms of stretching,
breathing exercise, and physical training, he would periodically
teach certain asanas, or "postures," from Hatha
yoga, and some types of Pranayama breathing.
Nakamura Sensei's emphasis on experimentation and understanding
via direct perception echoes his training in Western science
and medicine. He frequently conducted actual scientific
experiments to study the effects of Shin-shin-toitsu-do,
and to this day, leading Western-style physicians in Japan
are prominent practitioners of Japanese yoga.
And certainly, various native Japanese influences can be
felt in Shin-shin-toitsu-do. Shinto is the indigenous Japanese
religion, emphasizing purity and unification with nature,
and its influence has permeated every aspect of Japanese
culture. Likewise, Zen Buddhism has had a dramatic impact
on Japan beginning with its arrival from China many years
ago. Since Nakamura Tempu Sensei grew up and lived within
the Japanese cultural matrix, which has been imbued for
centuries with Zen and Shinto, it should come as no surprise
that some of the elements and aesthetics of these religions
can be encountered in his Japanese yoga. What's more, certain
"Japanized" Chinese influences can be found as
well. Chinese Taoism has always stressed living in harmony
with Nature and oneness with the Universe. The influences
of these Taoist methods, which are sometimes dubbed Senjutsu
and/or Sendo, can also be felt in Shin-shin-toitsu-do.
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